2017年英國蘇格蘭國際鋼琴比賽

蘇格蘭國際鋼琴比賽是國際上一項重要的鋼琴賽事活動,是國際音樂比賽世界聯盟(WFIMC)的成員。每三年或者四年舉行一次,吸引了全世界很多有天賦的青年鋼琴家參加。這些優秀的選手將要角逐30000英鎊的獎金。這也是他們通往成功的大門。
比賽是為了紀念蘇格蘭鋼琴家及作曲家Lamond· Frederic(1868-1948年)而舉行的,他曾師從馮·彪羅,李斯特等人,其演奏得到勃拉姆斯、彪羅、柴可夫斯基的高度稱讚。在施納貝爾錄製貝多芬鋼琴奏鳴曲全集之前長達半個世紀的時間裏,他的貝多芬演繹一直被視為典範。其演奏熱情奔放,充滿陽剛之氣,與施納貝爾智性靈動的處理形成鮮明的對照。 他是典型浪漫派風格的鋼琴家,對於作品的節奏處理比較自由隨意,拉蒙德最優秀的錄音還是他演奏的李斯特的作品。他演奏的李斯特改編自舒伯特藝術歌曲的《魔王》充分顯示了其驚人的技巧和出眾的控制能力:連續的八度快速同音重複彈奏得清楚飽滿,對《魔王》中三種不同性格的旋律刻劃之生動不亞於聲樂的演唱。最可貴的是他沒有僅僅醉心於技巧的表現,而是將豐富的情感灌注於音樂之中,這也是繼承了李斯特演奏風格的特點。
2017年英國蘇格蘭國際鋼琴比賽將於2017年9月1日至2017年9月10日在英國蘇格蘭舉行,我們期待您的參與!

比賽類別:鋼琴

比賽地點:英國 蘇格蘭(格拉斯哥)

比賽時間:2017年9月1日 – 2017年9月10日 (共計10天)

報名截止時間:2017年3月31日

參賽要求:比賽面向生於1987年1月1日至2001年12月31日間的鋼琴選手開放,不限國籍;
備註:歷屆比賽的一二三等獎得主不得報名參加本屆比賽。

參賽曲目:
Prescreening Stage:
Applications must be accompanied by a recent video recording of high professional standard, lasting between 30-35 minutes and representing various styles of the applicant’s solo playing (i.e. not with orchestral accompaniment). The performance must be unedited and certified as such by either the recording engineer or the applicant’s teacher. The preferred method for receiving the video recording is via a web link, such as YouTube, Vimeo, Youku, Video.qq or any other suitable, high quality video hosting website.
Competition Stages
(i) The Competition will have four Stages. Stages 1, 2 and 3 will be solo recitals in the Concert Hall of the Royal Conservatoire of Scotland. Stage 4 will be a concerto performance with the Royal Scottish National Orchestra in the Glasgow Royal Concert Hall.
(ii) All competitors will play in Stages 1 and 2.
(iii) A maximum of ten competitors will be selected to play in the Stage 3 Semi-
Final.
(iv) Three competitors will be selected to play in Stage 4 Final with Orchestra.
Repertoire Requirements
Stages 1 and 2 comprise of two, separate solo recitals given on different days. Each recital should not exceed 30 minutes, including applause and pauses. The programmes offered over the combined Stage 1 and Stage 2 recitals must include the following:
(i) An original work(s) from the baroque era (no transcriptions permitted). Repeats are at the discretion of the competitor.
(ii) Two Etudes by different composers
(iii) One complete work from the classical period, 1750-1828.
The remaining repertoire for the Stage 1 and Stage 2 recitals is entirely free choice.
Stage 1 Recital
Subject to (i), (ii) and (iii) above, a solo recital with the maximum duration of 30 minutes, which includes applause and pauses.
Stage 2 Recital
Subject to (i), (ii) and (iii) above, a solo recital with the maximum duration of 30 minutes, which includes applause and pauses.
Works performed in Stage 1 may not be repeated in Stage 2.
Stage 3 Semi-Final Recital
(i) The maximum duration of the semi-final programme, which includes applause and pauses, is 60 minutes. Repeats are to be at the artistic discretion of the competitor.
(ii) Works performed in Stages 1 and Stage 2 may not be repeated in Stage 3.
(iii) A commissioned work (duration 5-7 minutes) written by Scottish composer Gordon McPherson will be included in Stage 3. The score of the commissioned work will be sent to each competitor shortly after acceptance for the Competition.
(iv) Subject to (ii) and (iii) above, in addition to the compulsory commissioned work,
competitors have a free choice of works for the Stage 3 semi-final recital.
Note: It must be emphasised that the maximum duration of programmes in Stages 1, 2 and 3, which includes applause and pauses, should be adhered to strictly. The Chairman of the Jury may stop performances which exceed the permitted duration.
Stage 4
Each of the three finalists will play a concerto with the Royal Scottish National Orchestra at the Glasgow Royal Concert Hall on 10 September 2017.
Competitors should be prepared to present one concerto selected from the following list:
Bartók
Concerto no. 1, Sz 83
Concerto no. 3, Sz 119
Beethoven
Concerto no. 1 in C major, op.15
Concerto no. 2 in B flat major, op.19
Concerto no. 3 in C minor, op.37
Concerto no. 4 in G major, op.58
Concerto no. 5 in E flat major, op.73
Brahms
Concerto no. 1 in D minor, op. 15
Concerto no. 2 in B flat major, op. 83
Chopin
Concerto No. 1 in E Minor, Op. 11
Concerto no. 2 in F minor, op.21
Liszt
Concerto no. 1 in E flat major
Concerto No. 2 in A Major
Mozart
Concerto in D minor K466
Concerto in E flat major K482
Concerto in A major K488
Concerto in C minor K491
Concerto in C major K503
Concerto in B flat major K595
Prokofiev
Concerto no. 2 in G minor, op.16
Concerto no. 3 in C major, op. 26
Rachmaninoff
Concerto no. 1 in F sharp minor, op.1
Concerto no. 2 in C minor, op. 18
Concerto no. 3 in D minor, op. 30
Rhapsody on a Theme by Paganini
Ravel
Concerto in G major
Saint-Saens
Concerto No 2 in G minor
Schumann
Concerto in A minor, op.54
Tchaikovsky
Concerto No. 1
Concerto No. 2 (complete)
Choice of programmes
The Competition Jury will take particular account of the breadth and depth of the repertoire offered by a competitor and of the design of the programmes as a whole.
All repertoire in the Competition should be played by memory, with the exception of the commissioned work, which may be played using the score. In addition, permission to use a score for a complex contemporary piece may be granted if the competitor requests this when submitting details of their programme.

評委組成:
Aaron Shorr (評委主席)
Olga Kern
Steven Osborne
Ivary Ilya
另有其他未公佈的待定評委。
備註:
評委由國際傑出的音樂家和音樂教授團隊組成;
評委的評審結果是最終的,不容置疑。

獎項設置:
1.主要獎項:
一等獎: 10000英鎊 + “Alexander Stone Memorial”獎盃 + “Frederic Lamond”金牌;
二等獎:7500英鎊 + “Lawrence Glover”銀牌;
三等獎: 5000英鎊 + “Douglas McKerrell Memorial”獎項;
半決賽獎:1000英版/位,共7位;
指定曲目的最佳表演獎:500英鎊;
其次,獲勝者將受邀參加2017-2018季的演出;獲獎者將頻繁被邀請之蘇格蘭參加演出。
備註:
一等獎項不可分割;
若選手的演出水準未達獎項要求,評委有權不頒發部分或者全部獎項;
所有獲獎選手須參加2017年9月10日的獲勝者音樂會演出,未出席頒獎典禮的選手將不在授予現金獎勵,除非得到比賽音樂組委會主席和比賽評委主席的共同允許;

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