2018年第55屆西班牙佛朗西斯科·維納斯國際聲樂比賽

為了紀念著名的男高音歌唱家佛朗西斯科·維納斯,在1963年,帕爾馬成立了佛朗西斯科·維納斯國際聲樂比賽。該比賽已經成為全世界最著名的聲樂比賽之一,每年都吸引了來自世界各地的青年歌唱家參加。
利塞奧大劇院與馬德里、巴黎、倫敦、漢堡、米蘭、紐約、洛杉磯、北京的一些大劇院達成協議,在這些地方舉行預選賽。決賽在巴賽隆納的利塞奧大劇院舉行,並且由利塞奧大劇院管弦樂隊伴奏。利塞奧大劇院建於1847年,它一直是巴塞羅納的標誌性建築,也是西班牙最重要的歌劇院,被譽為歐洲的第二大歌劇院。19世紀到20世紀之間最著名的藝術家和音樂團體均曾在此演出。利塞奧大劇院交響樂團是世界上最優秀的、也是演出最繁重的交響樂團之一,由於劇院演出安排非常緊密,樂團很少舉辦巡演。 因此樂團始終保持著一種神秘感。近年由樂團優秀演奏家組成的室內樂團開始在世界各地舉辦音樂會,這終於使得世界音樂愛好者有機會欣賞該樂團的精湛演出。
獲獎選手不僅會獲得證實的獎項,還會獲得獎學金,與著名歌劇院簽約的機會。
2018年第55屆西班牙佛朗西斯科·維納斯國際聲樂比賽將於2018年1月14-21日在西班牙巴賽隆納舉行,我們期待您的參與!

比賽類別:聲樂

比賽地點;西班牙 巴賽隆納

比賽時間:2018年01月14日-2018年01月21日(共計8天)

報名截止時間:2017年10月02日

參賽要求:比賽面向優秀的聲樂選手開放,不限國籍
1. 組委會參賽選手年齡要求如下:
1)女選手年齡為18至32歲之間,以2017年1月1日為界
2)男選手年齡為18至35歲之間,以2017年1月1日為界
2. 組委會按照參賽選手參賽曲目類別的不同將參賽選手分為以下組別:
1)歌劇組
2)清唱-利德組

曲目要求:
The contestant must  indicate on the Application Form the type of voice (soprano, mezzo-soprano, contralto, counter-tenor, tenor, baritone, bass-baritone or bass) as well as the classification in which he or she will participate: Opera or Oratorio-Lied (participation in both classifications is not possible)and if he or she wishes to compete for any of the Special Prizes.
For the Opera Classification the contestant must present:
For the Preliminary Audition: 1 opera aria.
For the Final Round: 5 opera arias.
Opera Classification also includes: concert arias, zarzuela arias (a maximum of 2), operetta arias (a maximum of 1). At least 3 out of the 5 works of the Final Round must be opera arias.
For the Oratorio-Lied Classification the contestant must present:
For the Preliminary Audition: 1 oratorio aria, 1 song.
For the Final Round: 3 oratorio arias, 5 songs.
Oratorio includes Cantata, Mass, Motet, Passion, etc.; and Lied includes melodies and classical, romantic or modern Lieder.
The program chosen by the contestants must be made up of at least four works preferably from the following repertories: German, Italian, French, English, Latin, Russian, Spanish and Catalan; other languages are accepted. Contestants must sing in at least two languages. The works will be sung preferably from memory and always in the original language.
The 55th Francisco Viñas Contest will take place in two phases:
Preliminary Auditions
The candidate will audition in one of the following cities, according to the dates provided as follows:
Beijing, 06.11.2017
Milan, 06.11.2017
London, 07.11.2017
New York, 13.11.2017
Paris, 14.11.2017
Berlin, 20 and 21.11.2017
Moscow, 20.11.2017
San Francisco, 21.11.2017
Madrid, 24.11.2017
Barcelona, 10  to 12.01.2018
Each candidate must indicate on the application form the city where he or she wants to have the Preliminary Audition
Final Round 
Second Audition.– The contestant will sing:
Opera Classification.- 1 opera aria.
Oratorio-Lied Classification.- 1 oratorio aria, 1 song.
The works will be chosen by the contestant from his or her program. The contestant’s performance may not exceed 5 minutes for the Opera Classification and 8 minutes for the Oratorio-Lied Classification. The Jury reserves the right to suppress part of any work presented.
Semifinal Audition.– The contestant will sing:
Opera Classification.- 2 opera arias.
Oratorio-Lied Classification.- 1 oratorio aria, 2 songs.
The works will be chosen by the contestant from those on his or her program not sung in the Second Audition. They may be sung in the order desired. According to the length of the Semifinal Audition, the Jury may decide to omit one work. In any case the duration of the contestant’s performances may not exceed 10 minutes for the Opera Classification and for the Oratorio-Lied Classification. The Jury reserves the right to suppress part of any work presented.
Final Audition.– The contestant will sing:
Opera Classification.- 2 opera arias.
Oratorio-Lied Classification.- 1 oratorio aria, 2 songs (the 2 songs must be by Schubert for the contestants applying for the Schubertiade prize).
The works will be chosen by the contestant from those on his or her program not sung during the Second or the Semifinal Auditions. However, the Jury, if it sees fit, reserves the right of requesting the contestant to repeat a work previously sung, in which case the contestant will be notified in advance.
The contestant may sing the works in the order desired. According to the length of the Final Audition the Jury may decide to omit one selection. The Jury reserves the right to suppress part of any work presented.
– The contestants in the Opera Classification who compete for the Wagner Special Prize, Verdi Special Prize or French Music Special Prize must proceed as follows:
Two of the five arias selected on the application form will be by Wagner, Verdi or French Music, respectively. One will be sung in the Semifinal Audition and the other in the Final Audition.
– The contestants who compete for the Mozart Special Prize or the Russian Music Special Prize must proceed as follows:
Opera Classification: two of the five opera arias must be by Mozart or Russian Music, respectively. One will be sung in the Semifinal Audition and the other in the Final Audition.
Oratorio-Lied Classification: two songs and one oratorio aria must be by Mozart or Russian Music, respectively. One of the songs will be sung in the Semifinal Audition and the oratorio aria and the other song in the Final Audition.
– The contestants in the Opera Classification who compete for the Zarzuela Special Prize must proceed as follows:
Two of the works selected on the application form must be Zarzuela. One of the selections will be sung in the Semifinal Audition and the other in the Final Audition.
-The contestants who compete for the Oratorio-Lied Extraordinary Prize must proceed as follows:
-Preliminary Audition: 1 oratorio aria and 1 song.
-Second Audition: 1 oratorio aria and 1 german Lied (not Schubert).
-Semifinal Audition: 1 oratorio aria by Bach, 1 french song and 1 spanish song.
-Final Audition: 1 oratorio aria by Haendel and 2 Lieder by Schubert.

評委組成:
1. 資格賽:具體陪審成員待定,將由組委會在參賽地點選拔
2. 現場比賽:
Christina Scheppelmann (陪審主席 / 德國), 巴賽隆納裏西奧大劇院藝術總監
Giuseppe Cuccia(義大利),西方歌劇院顧問,國家表演藝術中心
Toni Gradsack (奧地利), 選角導演, 米蘭斯卡拉歌劇院
Tobias Hasan9(澳大利亞),Staatsoper im Schiller劇院藝術系負責人
Makvala Kasrashbili (喬治亞共和國-俄國), 女高音, 俄羅斯莫斯科大劇院總監助理
Peter Mario Katona (德國), 選角導演, 倫敦柯芬園皇家歌劇院
Joan Matabosch (西班牙), 藝術總監,馬德里皇家劇院
Waltraud Meier (德國),女中音
Joan Pons (西班牙), 男中音
Ilias Tzempetonidis (希臘), 選角導演, 巴黎國家歌劇院
Joshua Winograde(美國),紐約大都會歌劇院副藝術總監
備註:
評委由國際著名的音樂家組成;
參賽選手資訊不會提供給評委,評委會秉著公正公開的原則對參賽作品給予評判;
評委有權打斷逾時演出;
評委的學生不得報名參賽;
選手的評審權僅歸評委所有;
評委保留不頒發某些獎勵的權利,以及頒發共用獎勵和特別獎勵權利;
評委的評審結果是最終的,不容置疑。

獎項設置:
1. 主要獎項
1)“Francisco Viñas”大獎:25.000歐元 + 鍍金銀牌紀念獎,以及一份與組委會簽訂的未來賽季的演出合同
2)二等獎:15.000歐元 + 銀牌紀念獎
3)三等獎:11.000歐元 + 銅牌紀念獎
4)四等獎:8.000歐元
5)五等獎:7.000歐元
6)六等獎:6.000歐元
備註:
所有獲獎的參賽選手都會被授予一份榮譽證書;
所有參賽選手均可爭奪上述官方獎項;
所有現金獎項須依據西班牙稅法納稅。
2. 特殊獎項:
1) 特殊獎項5.000 歐元,授予決賽男高音
2) 特殊獎項3.000歐元,授予莫紮特曲目的最佳演繹者
3) 特殊獎項2.000歐元,授予瓦格納曲目的最佳演繹者
4) 特殊獎項:授予俄國音樂的最佳演繹者,邀請其參加由Concerlirica組織的2018年音樂會(由承辦方承擔2000歐元的交通和住宿費)
5) 特殊獎項:授予清唱-利德組決賽中演唱兩首舒伯特利德曲目的選手,邀請其參加西班牙下一季的舒伯特音樂會演出
6) 特殊獎項3.000歐元,授予威爾第曲目的最佳演繹者
7) 特殊獎項3.000歐元,授予法國歌劇最佳演繹者
備註:
另有其他更多特殊獎項;
所有榮獲組委會主要獎項(一至六等獎)、特殊獎項以及特別獎項的選手均須參加獲勝者音樂會演出;
未如期出席的選手將被取消獲獎資格;所有的現金獎項通過銀行轉賬支付。

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